in the context of electronic music, 12 years is damn near eternity, and though those who have lived it may not remember all the stops along the way, the ones who have kept on top of scott monteiths deadbeat music project will tell you he has been no slouch. through 6 critically acclaimed albums for scape and wagon repair, as well as countless singles, remixes, compilation appearances, and last years radio rothko dj mix, monteith has explored the art of dub in a staggering array of contexts, and staked his claim as one of it s strongest champions. and while the last few years have seen him concentrate on the more dance floor oriented side of things, his latest album and first release on his new blkrtz imprint sees monteith returning to his roots in the headiest and heaviest of dub business.

jb aka james braun, creates music as if it were sonic sculptures chiselled with kicks, snares, drums and synth-bass, is back with three new dance floor monuments for you to worship. *a. on massacre jb succeeds in creating a horror universe that can make even the most hardened detroit fan become insecure and frightened when standing alone on the berghain dance floor. but fear not, for its only music and if you flip the record, youll become entranced by the melodic *b1 retrace your steps. a musical odyssey back through time that literally retraces jbs own steps and makes you think about who you are and where you came from. *b2 slapper is musical meditation that yields unbridled joy and chilled out bliss…and makes you send eager kisses towards the sky where the benign, chubby gods of music laugh heartily and scratch their white beards and ample bellies while returning your kisses, mwah!, and uttering you ravey, little rascal! we will provide for you as long as you remember to appreciate us. please enjoy the new record from james braun. tartelet records 2011

dairmount selected 4 amazing tracks for this third episode of the midnight circle lullabies vinyl serie. this time, it is all about tributing the detroit sound which has been a major influence for many room with a view artists.
support from kink, deetron, laurent garnier, chateau flight, pezzner, roberto rodriguez, sasse, moodymanc, trus’,me, brother’,s vibe, funk dvoid …,...

with the sun out and festival season just around the corner, the 2 bears return with their biggest crowd pleasers yet on the bear hug ep out on southern fried. equipped for both barmy afternoons in blissed-out fields and after hours naughtiness in the darkest dance tents, the 2 bears set the seal on their trademark brand of house revisionism. opening up with take a look around, 2 bears take us from techy intro to full on house inclusivity inside seven minutes, with rafs understated vocals joined by star-to-be alice gold. then there is the bashy jump-up instrumental in my brain is like a computer, to set us up for an mc’d walk through of the 2 bears dancefloor doctrine, bear hug. as for the ep closer banger, the title speaks for itself – a tune that cuts deeper and harder than any 2 bears track so far

this is a record that lives up to its name with spacious and cinematic arrangements, layers of subtle percussion, and at times an impenetrable wall of found sound.

in an age saturated with soundalikes and retro throwbacks, the truly unique and unconventional can be hard to come by. storming the 2011 scene with her self-titled debut album, berlin-based barbara panther seems to embody these latter characteristics - and then some. the singer takes risks, blending musical influences and crossing boundaries of musical style innovatively and effortlessly, and the result is a journey through vibrant soundscapes, frenetic arrangements interspersed with moments of beautiful melancholy, and the creative explosion of elements of her past, the present and the future.

ernie unveils his special blend of timeless cuts exclusively on >black noise ep<.
>burning detroit< is a voyage into the abyss through a constant stream of warm pads layered with crafty percussion whereas ordell reworks >burning detroit< into a lighter afrobeat groove.
>la posse< is a fusion of underlying analogue bass stabs with raw machine drums and >terra nostra< concludes the release as a darkroom bonus cut – rolling deep into the early hours.

crosstown rebels get set to unleash the power of the model feat. my favourite robot with a vampish feast of 80s proto-house in -still in my heart- followed by a playful epic rework from ivan smagghe and a dose of warped late night techno courtesy of two mesmerising brett johnson remixes. the model makes a storming entrance into the crosstown camp with the original of -still in my heart- spinning a circus of 80s inspired melodies, rave synths, techy bleeps and stabbing bass. my favourite robots soul-penetrating vocals nonchalantly weave a darker thread through the dizzy heights of electro stylings supplying a vein of moody romance

motion± and emi music japan proudly announce the disco legend dj harvey remix of japanese legendary electronic producer logic system! the single will be distributed through endless flight. logis system is well known as the fourth member of yellow magic orchestra and their most famous song >clash< which dj harvey included to his mix cd >sarcastic disco vol.2<. a side is harvey remix of >clash< and b side is unreleased song which is composed in 80s. any explain and more introduction are not necessary for this release. dont miss this amazing collaboration of logic system and dj harvey!

cupp cave was once heralded as belgians best kept secret.Ê well, guess what?Ê the secrets out.Ê from the us to japan, his glitchy beats have stood out as some of the most innovative and rich amongst today s electronic hip hop producers.Ê but he doesnt stop at just making dope beats, he crafts universes, ocean deep and mountains high.Ê hes also proven his ability to wear as the weather and terrains demand while roaming through tese soni landscapes. as kingfisherg hes spen his time excavating golden sine waves from deep, lost caves. as sineshine, hes fished out a treasure trove of long-forgotten disco nuggets.Ê as cupp cave, he serves up busted-gaming-console-and-dusted-broken-beat concentrate, filtered through a tub of radioactive waste to devastating effects. he also forms one half of surfkill along with dynooo. this ep sees françois / cupp cave return to his one true love: making sloppy chicagoesque beats. just like all of vleks output, it comes in a hand-screenprinted, hand made, numbered cover.

finally scum recordings unleashes its next talents.. crushtington hailing from new zealand is no unknown face in the dnb scene.. can you guess who it is? and like the dnb they make this dubstep isnt for the faint hearted. as your used to from the scum camp were bringing you next level heavyweight riddims and this release is no exception. the single starts off with big hit.. a electrified stepper with a hefty 4x4 drop.. crushtington shows what their worth right here and now with this one. smash this one on the decks and see the dancefloor crumble at your feet. no happy jum up styles here just straight up grimness! next up its king koopa. unlike the giant lizard who super mario needs to defeat to save his precious princess this is one ferocious, mean, fire breathing track that wont let go so easy. this one packs a punch that will knock any mushroom or fire flower straight out of your big body in seconds. so better make sure you got some 1ups to make it through this one!

claque musique ready to unleash their latest offering, from an artist who has become a key member of the claque family, rio padice. having in recent years devoted time to learning the production techniques of the 90s, blending the use of software, hardware and sampling, his productions, unlike so much of the current trend for looking back, have a mature and studied classic sound and feel to them. his work this year has seen firmly rooted in the front of the most discerning of record boxes.rio follows his remix of micro_on (claquemusique10) with his very own woodland ep. as we have accustomed to, rio delights us with another selection of tracks that see him exploring and bringing together the best in classic sounds with his very own fresh contemporary spin. the beautiful trip through woodland opens the ep. a dreamy bass-heavy acidic number. much different is ocrons land, with its static sounds and almost industrial feel. mutant camels with its bubbling bass, rasping hats and dromedary movement rounds out the originals. remixing the title track is padova born alex picone. renowed for his releases on bass culture, mus and cadenza and fresh from the success of his fahrenheit single, alex ramps things up for the dancefloor on woodland, replacing the original acid line with some fresh guitar licks. perfect!

wolverhampton based duo letherette return for their second release on ho_tep records, once again delivering a dusty and soul filled package spanning hip hop to boogie - house to rnb. their first ep built a strong buzz, with comparisons and influences being draw upon, ranging from pete rock and madlib through to thomas bangalter. recent remixes and features with bibio, solar bears, brownswood bubblers, dazed and confuzed magazine and bts radio have further cemented their space in the current musical climate, working almost as a beat tape this new ep once again showcases the impressive funk, swing and overall style that the guys have to offer, as ever they are keeping their fingers dirty, digging deep into crates, pulling up nothing but the finest samples.

after three groundbreaking albums over the course of a decade, the internationally acclaimed electronica project shpongle has returned from what fans feared was the end of the project when nothing lasts…but nothing is lost, their third album, was released. not prepared to leave us hanging, electronic music pioneers simon posford and raja ram have continued to push the envelope and break boundaries to create yet another sonic masterpiece: the much-awaited fourth shpongle album, ineffable mysteries from shpongleland.

lonely c & baby prince is a new partnering fusing one half of soul clap with one half of wolf + lamb in a new strain to their creative collective. made during the same sessions as the addictive dj kicks compilation from wolf + lamb vs soul clap, created during the artists relocation to miami during late 2010, gadi mizrahi (wolf + lamb / double standard) and charles levine (soul clap) produce together for the rst time under the alias lonely c & baby prince. with strains of funk, soul, disco and contemporary electronic music running through its vein, lonely c & baby prince leave you spellbound with this collection of tracks. four warm and enthralling productions make up >not so lonely ep< from this formidable duo

cesar merveille first joined the cadenza team in 2009 with the outstanding ep. descarga, produced alongside fellow artist pablo cahn and garnering high critique from industry and public alike. a well known and much loved figure within candenzas vagabundos ensemble and equally the international club circuit, it is with great pleasure that cadenza welcome cesar for his debut solo release on the label. maayancholy is a beautiful and heart wrenching record, showcasing the delicate and fiercely musical palette of the french producer. introducing with shimmering open cymbals. light and airy they rustle simultaneously and offer diversity via their multiple manipulation. unsettled and sporadic, they splash throughout the remainder of the piece in an ethereal manner, casting light over delicate steinway piano keys and stabbing muted chord sequences. argentinean artist guti composed the aforementioned piano, his jazz and pianist training clearly used to full degree on maayancholy with simplistic singular key arrangements and piercing chord sequences. as the ascending chords rise, they dance magically alongside the pitter patter of percussive drums in a stripped back and raw demeanour. maayancholy effortlessly lays bare the emotive side of merveille through this ambient and surprising track. luciano picks up the remix duty for with a 16 minute interpretation. as condensed cymbals and piano chords are electronically warped, urgency prevails and groove sets in, securing lucianos twisted version as the perfect companion for the simplistic original. pace quickened and intensity sharpened, luciano demonstrates the clear dance floor attributes within . maayancholy in an electronic reinterpretation fit for the floor

first sampler of gregor treshers new album! lights from the inside harks back to treshers earlier releases, but as always his sound aesthetic continues to evolve in new directions.

das debütalbum der gruppe von januar 1967 enthält den welthit light my fire und den song the end, der unter anderem durch den film apocalypse now wieder bekannt wurde und dessen originalaufnahme teilweise auf plattenaufnahmen wegen seines textes zensiert wurde. dabei handelt es sich um die griechische sagengestalt Ödipus, ein königssohn, der unwissentlich seinen vater tötet, seine mutter heiratet und mit ihr schläft. die textzeilen: „father i want to kill you, mother i want to fuck you“ erschienen der Öffentlichkeit als zu vulgär, wenngleich schon seit jahrtausenden selbige szene in den theatern aufgeführt wurde. weiterhin enthält das album das brecht/weill-lied alabama song.

detlef is the new moniker of alexander georgiandis, an individual that has graced the dance music scene with releases on various labels and gigs in clubs all over the world. having made his debut in february 2010 detlef has already managed to release music on respected labels such as be as one, material series, starlight unlimited and most recently has signed with viva music. cooking and experimenting different styles of music, detlef is a music lover and prefers not to say many things about himself but speak through his music. its time to see what the future holds for this much anticipated and sought after artist.

maurizio vitello returns to metroline with some seriously deep bass-driven techno. a devastating ep. the lead track is a driving, stripped down techno groove. full-bodied toms and a seriously fat bass keep the track rolling while filtered vocals and understated synths add the dynamics. heavy! looking good keeps that groove going with a bassline so heavy you will have to pick yourself up off the floor. a bubbling percussion break evolves throughout the track, building in complexity, but kept in check by some nice metronomic hats at the high end. on movers maurizio lets the drums do the talking. everything locks tightly around the solid kicks. the multi-layered break adds a sweet cubano vibe that you simply wont be able to shake off. let the bass drrrrooopppp! pleased? yes we are. this playful track is going set the summer floors on fire. vocal samples weave in and out of the mix, and sharp-as-a-needle 80s-tinged synths stab through the deep, heavy rhythm track to awesome effect.

their debut three tracker ep has a theme running through it.. yup, its all about sides. first up is a riff you may well know from trevor horn and fgth. they take the tribe groove, slow it down and strip the groove back. using just the riff from the famous 80s monster hit they cunningly carve out >two sides< as their sultry opener. next up >by my side< enlists the help of the handily associated brass section. shuffling grooves, stabby horns and muted picked guitar are the order of the day. its a perfect one for those early dj-set appetizing sections. to round things off we tone it down even further with the beautiful >by my side<. subtle tones, lazy keys and a smouldering groove. when the keys kick in during the last minute its a glorius and sublime treat. stay tuned for more sides.

the croatian wonderboy tristy nesh is back on absolut freak records, with the famous elektro frau xenia beliayeva. they had already met on the >little hip molecular ep< (af05), with a successful remix by beliayeva. now they come together with >acting sane<, a sweet electro excursion through dusty fields. john lord fonda, the french sensation from vitalics label citizen records, is also back on absolut freak after having done the very first remix on af01. this time, he gives a new huge remix, with even more melancholy and an amazing break. just brilliant! then, the latvian producer max brannslokker (author of some masterpieces such as the incredible >lust< on salto recordings, or >transition< on boxon records) delivers a great funky-beat version with his special jazzy vibe. back side, nicolas chenard comes again with a powerful techno sound on a smashing remix. at last, tristy nesh offers a new demonstration of his unique dirty loud sound with >turkish bass<, a dancefloor killer with no concession. vinyl lovers can enjoy the artwork by falk klemm from the zonders with a pantone color on the cover. already supported by david carretta, donovans, da fresh, teenage mutants...

this release is strongly recommended. the first record of the enlightened wax series is a fine blend of incandescent house and techno tracks, flaring through the darkness of the night. all the tracks are written, mixed, and produced without the use of any software. light 1 (6.14) is like a ray coming from a distant star: it is slow building up on a wide bass body rising from atmospherical pads. a deep house jam with a touch of hi-tech jazz . light 2 (4.51) scatters raw beats in the urban skyline. an old school piano sample in addition to a aggressive bass line are the foundation of the track. its a breath-taking piece at the furthest boundaries between techno and house. on side b, the delightful journey continues with light 3 (5.34) an hymn to the glorious past of dance music. solid beats, ground shaking low frequencies, joyful voices, soulful piano chords call up the assembly for a return of the shining days. light 4 (6.06) fuses garage sounds and techno attitude. its massive dubby base breaks through sonic barriers. a dancefloor striker

mario basanov is one of the most highly gifted and versatile producers rising up through ranks of electronic music. with a staggering ten years production experience that belies his young age, mario is as comfortable remixing major label acts as he is crafting his beguiling deep disco / house sound. a number of unforgettable tracks have been unleashed over the past couple of years including >caribbean girl<, >do you remember?< and >up<. mario basanov returns on needwant to showcase his vocal talents for the first time with >lonely days<. the studio master from lithuania delivers the ultimate serotonin boosting package, decked out with remixes from drop out orchestra and downtown party network.

yam who?s ism label come through with a four track slice of disco centric futurism, featuring the man yam himself alongside pbr streetgang and ron basejam. its the latter who takes the lead with a remix of alenas >changes< that sees her sultry vocal teased by a most excellent of analogue synth leads that splurges brilliantly across the crisp mid tempo chug. yam who? teams up with vocalist natasha watts for the similarly bottom heavy bump of >i m in love< which has a certain warehouse appeal to it. on the flip, pbr pay respect to the godfather of soul james brown with the gritty flex of >j2thab< with the sadly departed mr brown strangely sounding at times like he wants to go to tesco. we always took him for a waitrose man, but regardless this is probably the track you will reach for most! finally brothers young do their thing to a trammps classic, with little more than the bassline retained.

hfn music launches a new sub-label with hfndisko - an outlet for some of the groovier finds. lightbluemover is the somewhat mysterious new artist gifted with the chance to kick start this new project. and what a start it is! >girn<, featuring the equally mysterious blacklightsmoke, is an extended, wild pitch journey into the smoky, synth-voiced slow house. beautifully mad, pitching synths and a husky vocal all add up as lazy beats lift this stoner-anthem into new levels the sci-pop disco meets psychobilly fusion that is >ddisco< is a further surprise and really gives us a view into lightbluemover extravert world. meandering synths and spooky passages drift and saunter through a bouncing, tense field of analog love.

last year, wayan raabe and arne shaffhausen had their debut on boxers >different< compilation with their downbeaty track >yummy—gorgeous<! and now, we proudly present their follow-up: with >yummy unbroken<, you will be irresistibly drawn on to the main dance-floor—this is the deluxe version of premium techno. both title track >vorsprung durch hektik< (engl. progress through stress) and >wasteland< offer an abundant vision of futuristic melancholy constantly in motion, yet at the same timeÊ smooth and well-balanced... like the perfect mix between neon colours and different shades of grey.

the annual nightmare event dates are consequently marked in the calendars of hardcore heads with a big fat red marker. in the months prior to these dates, two major things runs through the hardcore fans mind: who?s in the line-up, and who will produce the next nightmare anthem? the answer to that last question is enzyme records finest: weapon x.

since >african beach< the producer and founder of >deep house berlin<, rekardo rivalo be on everyones lips. backed by a remix of the guys from channel x release swept through all these clubs in the country. now its time for the next bomb from rekardo. this time he takes pleasure in the third release from the house to contribute mimique. suitable for spring provides the >cant get enough ep< for the right fealing to gently slide into the party summer 2011. accompanies the release is a remix of marco fender rounds of this plate so perfect. from may this third string of mimique crew goes into our vinylcase. the guarantee of success rekardo rivalo and marco fender passed by their tracks in advance.

early support by marc depulse, matt star, julien chaptal, emerson, helmut dubnitzky, toni haupt, sven teet, and many more....
a wave of unmistakable sound is currently blasting its way through clubs all around the globe.the release of his debut track >bed swing< pushed newcomer fabe into the eye of public attention and it is not surprising that the >bed swing ep< rocked dance floors of clubs like tresor (berlin) even before its official release. in addition to the original mix you will find a mesmerizing remix byholgi star (kiddaz.fm, micro.fon) & pierre deutschmann (plattform b, kiddaz.fm, k: lender) - the best mix for an audiophile firework. french sound artist super tape, who is well known for his club and party music just as much as for his home-suitable tracks, gives the >bed swing ep< a finishing touch.

black vinyl , versalifes n.t.a. part 2 is taking us further down deep into the night! this is some of the at widest, cleanest, most absorbing electro, techno tracks we have heard in a while! especially the b-side tracks oozes twilight suave and atmosphere with its precise electro pulse and caressing midnight sounds. versalife is creating a setting with sounds radiating the midnight atmosphere that reflects the twin peak-esque life on a almost deserted windy dutch coastal island where the clouds rush through the dark night time skies projecting all variations of grey and black on the mystifying dunes. futuristic electro techno tracks with emotive synth work created with exploratory imagination.

c series returns to bring more hard groove monsters to your ears! c8 - sombrita : c8 starts off and goes all latino on your ass! smooth sexy vocals flow through the break leading into pounding bass line and groove, floor shaking beats and rattlesnake bongos complete this rework for some latin american booty shaking, c series style! c8 - lowis: another classic rework for this release. the track maintaining some of the original work that makes it instantly recognizable, but then takes on a harder and darker twist by being reinforced with some tough beats and bass made for a heads down, driving groover. a must for tearing off the roof at any party!

for berkane sol 18 we present the vinyl debut of the hugely talented aleks zen. he calls his outfit >neon bounty< and its easy to hear why. his brightly coloured music is like the soundtrack to a thrill seekers ride through the downtown areas of a tropical metropolis – sensuous but edgy, and properly booming on the right kind of car stereo. his riddims are propulsive and a joy to dance to, bringing together the best aspects of both house and dubstep.

12inch album sampler for tiger & woods debut long player >through the green<. featuring the dynamic duos top secret super hit >gin nation< and the brand-new ecstasy epic >kissmetellme< - including the dj-friendly beat-up heat-up >kissmetellmemore<. you are in for some top notch editainment. shrouded in mystery! here today, won-t be gone tomorrow…

finally dessous key-artist vincenzo is back in the spotlight with his third full length album. some 9 years after ‚welcome to zanarkand, his last long-player, the berlin based producer has been making magic in the studio, crafting what is sure to be his greatest work yet. taken from the cd version of >wherever i lay my head< these 10 tracks form a glorious journey through rich, spiritual and stunningly crafted electronic sounds. vincenzos cristal clear production and years of writing experience have culminated in this heroic new work

seuil makes a storming entrance into the offbeat world of supplement facts with his >ultravision< ep. his immaculate track record for house music that pierces the soul with its energy and drama remaining firmly in tact with yet another dream collaboration with dop vocalist jaw. parisian seuil has fast become a pillar of the deep house and techno community. the innate organic quality that courses through his productions is allied with an ever-evolving style, always rich in substance, drive and atmosphere. >ultravision< is no exception. the mesmeric progression of liquefied bleeps, deep chords, and truncated rhythms is heightened by the poignant, husky drawl of jaw that bleeds through this enveloping track. the >dub mix< allows the bubbling percussive energy to shine through in a dubbed out, darkly populated soundscape. on the flip >in the moon< is a moody tech masterpiece of floating grooves and creepy fx. breathy vocal snippets intercept with notions of mortality as seuil traverses rusty sonic terrains and upholds his ability to feed both the soul and the feet. even when stripped back to its barest bones >in the moon< captivates with a driving energy punctuated by crisply formulated drums and a sparse bass line bounce...

independent music maker, co-founder with his team-mate teru of bcr-music, indie structure for artists, in 2009. well known since 1996 as dj/ composer/remixer/director for many french artists, he reveals during the 2009/2010 season his talent of vocalist: first, on debut bcr-music release, pumpkins 12 inches ainsi de suite, hereafter on his own vinyl singles and lp, respectively supafuh yo! and 10 ans trop tard. the 2010/2011 season will be the decisive one... the 12 inches just act will be internationally released in april 2011 featuring cl smooth & eternia! cl smooth, one the most respected and legendary mcs of all time, comes back on wax through a duo with supafuh, nowadays the unique he made with an european artist of his whole career. eternia the 2-time juno (canadian grammy award) nominated is the new groundbreaking sensation of indie hip hop! they both gave sincere energy and spiritually inspired performances to make this disc a classy & classic joint. comes with code for free digital download of this release.

five pals from leeds, england, who play scruffy but energetic rock & roll with no shortage of swagger, the pigeon detectives formed in 2002, but the group s members — matt bowman on lead vocals, oliver main and ryan wilson on guitars, dave best on bass, and jimmi naylor on drums — were mates from school and had known one another since they were 12.

a sound odyssey to stir you through the night. on the flip you will find reset robot adding weight to the undercurrents of the original and giving it a heavier, industrial point of view.

tsi returns with more dark, deep hypnotic hard techno goodness this latest installment of tsi. the >grinding machine< does just what the title intends. the same can be said for the adjective use in titling >dark, dirty & broken<. the people are asking who and where the secret initiative are from. tsi answers why does it matter? will knowing make the music sound better? the clues of whom it is be heard through the secret codeslocked in the grooves of the vinyl. listen closely and maybe you can piece it all together. if not listen closely and enjoy the music!

noir music is bringing back the sun with this delightful piece of deephouse music from los suruba. haunting vocals on fantastic melodies and moods through out the spanish pantalones journey.
and.id brilliantly keeps the mood and makes the whole feel a little more clubby with his in your face bassline and production.
we hope this little pearl will stay in your set for many months to come and hopefully stay as a summer favourite.
early support by: luciano, butch, dubfire, gel abril, gorge, julien chaptal, okain, jamie anderson, timo garcia, kaiserdisco, paul harris, aki bergen, paco osuna, loko, tom budden, the junkies, acumen, edu imbernon, coyu, lee burridge, huxley, nice7, mihalis safras, peter horrevorts + many more.

proving they cant be pigeon holed into any one particular niche, midnight lab band returns with a 7-inch release inspired by 80s drum machines and provocative synthesized chops. >laser tag< is a high powered infusion of dark disco soundscapes, a thumping yet nostalgic vision of dance music through the lens of mlb. on >dons demo<, the lab dives into the family archives to resurrect and refashion an obscure yet timely recording from don stark. channeling earlier eras of mid-tempo mustache soul and one-man synthesized ensembles, this is a slow boogie burner to ride to.

when we heard pompeya for the first time and were told they were from moscow, we were like: - what!? are you kidding? this is probably the first russian band singing in english with such a classy brit touch and male vocal being very strong and sophisticated at the same time. they jestingly describe their style as >melodramatic popular song< and >cheenese< is indeed a very dramatic piece with simple yet powerful composition and lyrics that really make big sense. the original is very well supported by a bunch of remixes each of which is unique on its own. an-2 & samos come with a warm, relaxed and funky instrumental version which is followed by a blockbuster mix from moscow disquo maestro leonid lipelis (an entirely perfect dance version of the original that could ever exist) and finally, for those few sirs and mesdames who are not yet aesthetically satisfied and who still find themselves seated while others jump and shout, here come d-pulse with their paranoid mix that gathers the thunderclouds to the full darkness and - at the end - lets the revival sunbeams break through.

sender goes zen. after running the legendary label with the television tower logo for more than 11 years now, benno blome decided to make a fresh start with this new shining star in berlins ever-expanding universe of electronic music labels. senzen provides a breeding ground for the like-minded, talented and creative artists. the label is driven by passion for deep and trippy maneuvers through time & space of electronic dancefloor madness. the first release comes with two tracks by autotunes new project entitled ecoute plus a remix by blome & tigerskin.

cause4concern, together with artists such as bad company, ed rush & optical, as well as konflict, have shaped a new sound which is today defined as neurofunk. through a rich history of releases since the late 90ties they have earned themselves a reputation as drum and bass legends and innovators. with their 12inch

this album builds more than just one bridge between the best worlds of frivolousness and dependability – horizontally, vertically, all the directions in between, and in time. no matter what the current when you cross, the beginning and the end dissolve into an everlasting flow in true 25 character. the journey is fueled by its own limitlessness, all the while delivering crucial reference points for a purposeful riptide ride.
the experienced hedonist lets herself be driven through her beloved quarter-note spheres, relishing the moments when, in certain beats, twinkling details lead her towards a different route – one familiar but long forgotten. she strings this pearl on her chain of rhythm-driven moods, calling upon it at the right times to amplify her individual push. the allure of the impacts unfolding redeems each secret whispered by the spirit of the sound.

>lifes track< is the mysterious and anonymous bosconi homemade project of two promising artists,100% build through an analogue and raw production and mainly based on a psychedelic, futuristic and freestyle musical approach.
no names, titles and any point of referement has been added to this release, what you get now is a 4 tracker ep, 4 sonic artworks of detroity inspiration and impulsive creation, in the vein of a more sensitive, delicate and spiritual omar-s, smooth like an early mathew jonson, dreamy and a bit acieed like some of the first intelligent techno tracks done in the 90s but with a more catchy pop music feeling.
shake all the ingredients and you will get the whole mistique and ghostly enigma of lifes track, timeless music made to dig in the depth of your soul.

vinyl set compiling >the crackle of my soul< & >up here in the clouds< albums plus debut 7 inch release from klanggalerie. limited to 500 copies. recorded between 2001 and 2010.

this is the remix version of the sold-out 12 inch moon jocks n prog rocks and it features remixes from todd terje (2 remixes actually), montezuma as well as frisvold & lindbaek.
whether you find any truth in that or not, one thing is for sure, the new single by the printer-galactic troopers of mungol is one hell of a ride through the sonic wonders of discofied art involving one dudes rather merciless meeting with the (un)godly. it only happens occasionally, but it does happen. you have probably heard rumors, or read about it somewhere. maybe it even happened to you? with >moon jocks n prog rocks<, mungolian jetset have put it - literally - on the record: abductions by beatmongering disco aliens with prog-rock fetishes are on the rise, sometimes with hilariously fatal consequences, such as this tale of one unfortunate individuals meeting with the more funky forces of the cosmos.